نوع مقاله : مقاله پژوهشی
نویسندگان
1 دانشجوی دکتری گروه فلسفه هنر، واحد شاهرود، دانشگاه آزاد اسلامی، شاهرود، ایران
2 دانشیار گروه پژوهش هنر، دانشگاه هنر، تهران، ایران
3 استادیار گروه هنر ، دانشگاه تهران، تهران، ایران
چکیده
کلیدواژه‌ها
عنوان مقاله [English]
نویسندگان [English]
The purpose of this article is to understand the art of the Safavid period from Mirfanderski's point of view based on the thinking of the Peripatetic and to examine the sources and methods of description, interpretation and logical analysis. The survival of the work of art with the idea behind it and the immortality of the artist's name with knowledge, imagination and the ability to formulate meaning; May be. In that period, art as a virtue was a common feature of all members of society, regardless of their class. In Iran, the main duty of the princes is to protect the property, religion, order of the land and its attainment towards prosperity, excellence and the expansion of justice. The excellence and divinity of the affairs of the land, including the correctness of the affairs done by the craftsmen, is influenced by the performance and thinking of the prince or prince. In his industrial treatise, Mirfanderski claims that the industry is declining and its intensity is diminishing, in the sense that the Safavid princes made a mistake and lost their forehead and their oppression became widespread. One of the most important factors in achieving happiness in society; Thinking, creativity and perseverance and avoiding loneliness in work based on need are under the supervision of a wise ruler.
کلیدواژه‌ها [English]
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