عنوان مقاله [English]
The present article intends using the method of genetic criticism, study the painting of “Hejran”, by Sadeghi - as a visual text. In this method of critique, instead of dealing with the final text, the developmental stages of the text are examined. Therefore, by following the elements and documents of the pre-text and examining the relationships between them with the surrounding texts, including the para-text, meta-text and hypo-text, in addition to identifying the causes and factors of transformation of the pre-text of a text, the process of its creation is reconstructed. In this research, in addition to providing a practical model of genetic criticism in the study of paintings, these two questions have been answered; What is the process of creation of the painting of "Hejran "? Which extra-textual and intra-textual elements have been influential in the process of its formation? In order to answer these questions, after explaining the method of genetic criticism approach, Hejran's painting by Sadeghi was analyzed based on the methodical model of genetic criticism. By describing the relationships between the elements of para-text, meta-text, hypo-text and pre-text, as well as the genetic behavior of the painter, It was found that in the shaping of this painting, the painter used etude and sketch. In addition, this text is influenced by the two para-text of Imam's death and the elements of miniature. On the other hand, following the pre-textual elements of this work shows the effect of "goal myth" on the practical creation style of this painting.