Stylistic features and moral virtues in Saber Hamedani's sonnets in comparison with Kamal-ol-Molk's paintings

Document Type : Original Article

Authors

1 PhD student in Persian language and literature, Faculty of literature and Humanites, Hamadan branch, Islamic Azad University, Hamadan, Iran.

2 Assistant Professor of Persian Language and Literature, Faculty of literature and Humanites, Hamadan Branch, Islamic Azad University, Hamadan, Iran.

10.22034/ias.2021.279760.1582

Abstract

Stylistics has no history in the true sense of the word in Iran, and the first works can be seen in Tazkerehs - Tazkereh writers, while using expressions full of verbal and spiritual industries about the reputation of his style, have tolerated and exaggerated the speech. God willing to finish the translation. The necessity of conducting the present study is the lack of comprehensive studies on the style and structure of poetry of contemporary poets of Hamedan, especially two famous poets (Safa 'al-Haq, Saber), and this necessity is doubled when we know that the mentioned poets sometimes had a stylistic personality in the field of lyric It is also necessary to remind that no coherent scientific research has been done on Saber so far. Considering the stylistics of Persian poetry and periods, the characteristics of each of the common styles in Iran (Khorasani, Iraqi, Hindi and return), our main issue in this study is the study and analysis of the lyric style of Hamedani poets from a linguistic and intellectual perspective. It is in accordance with the existing components and matching their lyric poems with those components and determining their style of poetry.

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