Iconography on fabrics has spread from the early Safavi period in Iran in different ways and upgraded at the time of Shah Abbas in this time and First Qajar style continues in the tradition of Safavi period. Human role for formal or informal physical role depending on fabric and the effects of the motifs on textiles and other arts can be seen in procedure and content. Changes in the type of play portrait (ideal or non-ideal portrait) and body shape (overall shape of the body draws on contemporary aesthetics and common wear and age composition of the figure, depending on the contract) is observed. The results evidence that cultural factors influence is the internal factors (religion and the influence of painting and literature) and external factors (the presence of tourists, the effects of Western philosophy, artists influence other countries and support the court). The research method is descriptive and based on authentic historical documents and data matching has been assessed. The data are documents that written and pictorial in museums.
Mounesi Sorkheh, M., & Hoseinzade gheshlaghi, S. (2017). Effective Cultural factors in fabrics with human
motifs on safavi and first Qajar period. Islamic Art Studies, 13(28), 21-41.
MLA
Maryam Mounesi Sorkheh; Sara Hoseinzade gheshlaghi. "Effective Cultural factors in fabrics with human
motifs on safavi and first Qajar period". Islamic Art Studies, 13, 28, 2017, 21-41.
HARVARD
Mounesi Sorkheh, M., Hoseinzade gheshlaghi, S. (2017). 'Effective Cultural factors in fabrics with human
motifs on safavi and first Qajar period', Islamic Art Studies, 13(28), pp. 21-41.
VANCOUVER
Mounesi Sorkheh, M., Hoseinzade gheshlaghi, S. Effective Cultural factors in fabrics with human
motifs on safavi and first Qajar period. Islamic Art Studies, 2017; 13(28): 21-41.