Application of geometry and equilibrium in the formation of the works of Amir Khalil Musar

Document Type : Original Article

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Abstract

Painting was at the height of its prosperity in the age of Herat and at the time of the rule of Baysunghur. Several factors joined together to reach the painting of that era to the degree of development which have been unique before and after that. Mir Khalil Mosavar was one of the prominent painters of this period.Although outer factors such as governmental supports, rulers interest to the artworks and suitable political and economical conditions of the country had undeniable impacts in growth of painting in Heart but the novelty and freshness of these works after about six hundred years have another internal reasons and it is the state of visual structure in them. In this article with the aims of achieving visual features of Mir Khalil Mosavar works and how to operation  this visuah structuers, it will be answered to this question that: what’s the impact of geometry in the formation of Mir Khalil Mosavar’s paintings and how will be balance in imbalance border? Geometry and balance are the two elements of the six elements of visual structures which have a significant impact in beauty and durability of Mir Khalil Mosavar’s works. The contents of this study were collected through library information. This article is a qualitative and practical study and it will be done by the analytical method.

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کتاب
-آرنهایم، رودلف (١٣٧٩)، هنر و ادراک بصری، ترجمة مجید اخگر، تهران: سمت
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-اردلان، نادر، بختیاری، لاله(١٣٩٠)، حس وحدت، ترجمة ونداد جلیلی، تهران، موسسة علم و معماری
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انگلیسی
-Hill, Anthony, 1966 The Structural Syndrome in Constructive Art, in: Module, Proportion, Symmetry, Rhythm, edited by Gyorgy -Kepes, Inc. New York: Publisher: George braziller
-Smith, Stanley,1965 Structure, Substrucyure, New york
--Jaffe, H. L. C 1966 Syntactic Structure in the Visual Arts, in: Structure,
Islamic Art Studies
Volume 12, Issue 25 - Serial Number 25
September 2016
Pages 21-36

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