Homeland and Traditional Arts in the Poems of Saeb Tabrizi

Document Type : Original Article

Authors

Persian Language and Literature, Yasuj Branch, Islamic Azad University, Yasuj, Iran.

Abstract

Poetry is formed as a poet's intellectual coordination in direct connection with society and its progresses. Thus, the analysis of poetry can provide a comprehensive representation of the society and its developments. Saeb Tabrizi is one of the poets of the Safavid period who is known as a prominent representative of the Indian style. The period of the Safavid rule (1355-1907 AH) was a period of ebb and flow in the intellectual and artistic life of the Iranian society. The issue that can be raised in this regard is how the developments of this period were reflected in the poetry of Saeb Tabrizi. This research seeks to answer the mentioned problem by relying on analytical and descriptive methods and library data. The research findings indicate that Indian style poets experienced two diverse stages in their lives; regarding the first stage; whilst bearing with poverty and financial incapacity, they composed poems in their homeland, and in the second phase, with the wealth accumulated from the support of the courtiers of India, they expressed poetic fantasies in a new and extraneous means. Saeb is one of the Indian style poets who has spent some time of his poetic life in India by emigrating; Therefore, "homeland" and related concepts in his poetry can demonstrate how the poet views the cultural, social and geographical environment of his time; moreover, the reasons for his immigration to India can be understood amongst the verses of his poetry. Alternatively, his poems are full of concepts of traditional arts that can be a manifestation of the artistic prosperity of the Safavid era.
Research aims:
1. Investigating the role of social and cultural space in the concept of homeland and traditional arts in the poetry of Saeb Tabrizi
2. Drawing different dimensions of the concept of homeland in Saeb Tabrizi's poetry
Research questions:
1. What effect has the cultural, social and geographical atmosphere had on the poetic atmosphere of Saeb Tabrizi?
2. What is Saeb Tabrizi Saeb's attitude about homeland and exile?

Keywords


Ajoudani, M. (2003). or Death or Modernity, Tehran: Akhtaran Publishing [In Persian].
Arianpour, Y. (1976). From Saba to Nima. Tehran: Franklin [In Persian].
Anagheh, A. (2010). "The study of human homelessness in the poems of Rumi". Gohar Goya, Volume 4, 3, 161-188 [In Persian].
Basnas, M. (2017). "The Role of Safavid Shiite Poets in the Transmission of Iranian Culture and Civilization in the Indian Subcontinent". Quarterly Journal of Epistemological Studies at Islamic University, Volume 21, 2, 84 – 71[In Persian].  
Eliadeh, M. (1987). Introduction to a Philosophy of History. translated by Bahman Sarkarati, Tabriz: Nima [In Persian].
Golchin, A. (1991). Caravan of India. Mashhad: Astan Quds Razavi [In Persian].
Kardgar, Y. (2013). "Motives for Travel to India in the Mirror of Saeb Poetry". Quarterly Journal of Subcontinental Studies, 14, 130-105 [In Persian].
Kaleem, A. (1991). Poetry Divan, edited by Mohammad Ghahremani. Mashhad: Astan Quds Razavi [In Persian].
Khaghani, A. (1997). Poetry Divan. by Mir Jalaluddin Kazazi, Tehran: Center [In Persian].
Marzabadi, Gh. (1973). The King of Poetry in Iran. Faculty of Literature and Humanities, Tabriz, 101, 1-34 [In Persian].
Nikobakht, N., & Gholam, A. (2006). "Homeland in Constitutional Poetry". Journal of Persian Language and Literature (Faculty of Literature and Humanities, Tarbiat Moallem University), 54 and 55, 131-150 [In Persian].
Pourjavadi, N. (2015). Sufism in Iran, Comprehensive History of Iran. under the supervision of Kazem Mousavi Bojnourdi, Tehran: Center of the Great Islamic Encyclopedia, 103-203 [In Persian].
Pournamdarian, T. (1997). Mysteries and Mysteries, Tehran: Scientific and Cultural Publishing Company [In Persian].
Rezaeirad, M. (1999). Fundamentals of Political Thought in Mazdaei Wisdom. Khorramshahr: New Plan Publications [In Persian].
Saeb Tabrizi, M. (1996). Poetry Divan. by the efforts of Mohammad Ghahraman, scientific and cultural publication [In Persian].
Sadeghpour, A. (2013). Promotion of Persian literature in India in the Safavid era, the link between two cultures, Parseh Quarterly, 23, 139-123 [In Persian].
Safa, Z. (1996). History of Iranian Literature (Volume I). Tehran: Phoenix [In Persian].
Shabli, N. (1984). Al-Ajam Poetry or the History of Iranian Poetry and Literature, translated by Seyyed Mohammad Taghi Fakhr Daei Gilani, Tehran: Book World Publications [In Persian].
Shafiee Kadkani, M. (2002). "Homeland and its manifestations in Persian poetry”. Yad Magazine, 63, 161-168 [In Persian].
Schwan, F. (1997). "Principles and Criteria of World Art". translated by Dr. Seyed Hossein Nasr, Collection of Articles on the Basics of Spiritual Art, Tehran: Office of Religious Studies of Art, 128-89 [In Persian].
Shiri, Gh. (2013). "Indian style is a manifestation of negative resistance". Quarterly Journal of Persian Language and Literature, 41, 82-65 [In Persian].
Bahar, M. (1998). Stylistics (History of the Evolution of Persian Prose). Ninth Edition, Tehran: Majid Publications [In Persian].
Tamim Dari, A. (1994). Mysticism and Literature in the Safavid Era. Volume One, Tehran: Hekmat Publications [In Persian].
Vahshi Bafghi. (2003). Poetry Divan. by Parviz Babaei, Tehran: Negah Publishing House [In Persian].
Zarrinkoob, A. (2004). From the Literary Past of Iran, 2, Tehran: Sokhan Publishing [In Persian].