Semantic Norm-Breaking of the Fundamental Principle of Aesthetic Communication in the Poetry of Rahi Moiri, Mehrdad Avesta and Contemporary Art Based on Lynch's Theory

Document Type : Original Article

Authors

1 PhD student in Persian language and literature, Imam Khomeini Memorial Branch in Rey, Islamic Azad University, Tehran, Iran.

2 Assistant Professor, Department of Persian Language and Literature, Imam Khomeini Memorial Branch, Rey, Islamic Azad University, Tehran, Iran.

10.22034/ias.2020.251005.1371

Abstract

Norm-breaking is one of the practical methods in de-familiarizing poetry and many poets have used this method to convey meanings. The non-normative poet creates artistic pleasure with the aim of literary resurrection in poetry. Examining the degree of norm deviation in contemporary poets' poetry displays their ability in highlighting words. Since language is one of the most imperative factors of culture transmission, the type of language used by poets is considered as one of the most key characteristics of poetry. In this research, by reviewing the concepts related to the importance of Russian formalists and Lynch’s classification, various manifestations of norm-breaking in the poems of Rahi Moiri, Mehrdad Avesta and contemporary art have been investigated. The mission of this research is to apply the findings of linguistics and introduce scientific reasons for the attractiveness and permanence of the studied works and to create the necessary ground for further research in this field. In this paper, with an in-depth look at the theoretical foundations, the features of semantic norm-breaking in the poems of Rahi Moiri and Mehrdad Avesta have been investigated. After studying the theoretical bases and corresponding them with the poetry of Moiri and Avesta, the proposed result has been expressed in a library method in an analytical-descriptive manner.
Research aims:

Examining semantic norm-breaking based on Lynch's theory in the poems of Rahi Moiri and Mehrdad Avesta.
Examining norm-breaking features in contemporary Iranian art.

Research questions:

How have Rahi Moiri and Mehrdad Avesta benefited from semantic norm-breaking?

2.Which concepts of semantic norm-breaking (materialism, fluidism, animalism, plantism, and anthropology) have the highest and the lowest frequency in the poems of Rahi Moiri and Avesta?

Keywords

References

Ahmadi, Babak. (2007). Text structure and interpretation, 9th edition, Tehran: Markaz. [In Persian].
Avesta, Mehrdad. (2009). Home-made wine of Teres Mohtasab, Tehran: Iranian Pen Institute. [In Persian].
Khazarian, Alireza; Pihani, Narges and Rouzbeh, Masoumeh. (2015). "Essay on aesthetics in contemporary architecture of Iran (with an emphasis on Khim and Kamal-al-Molk tomb buildings), the first conference on civil engineering, architecture and sustainable environment. [In Persian].
Hoghoghi, Mohammad. (1990). Poetry and Poets, Tehran: Negah. [In Persian].
Moiri, Mohammad Hassan (Rahi). (2003). Rahi Moiri's poetry collection, Tehran: Farasugstar. [In Persian].
Sojudi, Farzan. (1999). "An introduction to the semiotics of poetry". Poetry Magazine, No. 62, pp. 20-29. [In Persian].
Safavi, Cyrus. (1994). From Linguistics to Literature, Tehran: Cheshme. [In Persian].
Taghizade Momen, Mehrsa; Shoemakers Madqam, Asghar. (2019). "The representation of the ideal world and the real world affected by painting in contemporary Iranian painting: a case study of the works of Mahmoud Farshchian, Iran Darodi and Mehdi Hosseini", Pikereh, Vol. 22, pp. 46-62. [In Persian].
Yahaghi, Mohammad Jaafar. (2008). The stream of moments (contemporary literature of Iran), Ch. 10, Tehran: Namad. [In Persian].
Vesey, Alkhas. (2015). Linguistic standardization in poetry, Ahvaz: Khuzestan Payam Noor University Publishing. [In Persian].
Islamic Art Studies
Volume 19, Issue 45 - Serial Number 45
February 2021
Pages 616-635

Files

Share

How to cite

Statistics