Introduction to the style of Madhosh Golpayegani manuscript

Document Type : Original Article

Authors

1 PhD Student in Persian Language and Literature, Yazd Branch, Islamic Azad University, Yazd, Iran.

2 Assistant Professor of Persian Language and Literature, Yazd Branch, Islamic Azad University, Yazd, Iran.

3 Associate Professor of Persian Language and Literature, Yazd Branch, Islamic Azad University, Yazd, Iran.

10.22034/ias.2020.245854.1323

Abstract

In the late Safavid period and the period of Nader Shah, Poets such as Moshtag, Asheg, Tabeb Isfahani, Lotfali Azar Bigdeli and ... followed the original Indian poets instead of Indian style. With the establishment of monarchy in the dynasty of Qajar and the establishment of relative tranquility, masnaths, sonnets, rubais, parts and secrets, which is another of his other moral and educational writings for prose. Of the 9 manuscripts identified by this poet, a copy in the Tabriz National Library and a copy in the Marashi Library of Ghom, three copies are in the Library of Malek Tehran, three copies are kept in the Library of Majles and one copy at Tehran University; Obviously, due to the diversity and variety of works and strength of the poems and the contents of the poem, the critical correction of this work, especially in order to identify its poetry as one of the scientific and literary capital of the country, is a necessity. . In this research, which is devoted to a full version of Golpayegani's Divan, based on the style of its text, the information is gathered in a library way, and in the lightness analysis, a case study of 6700 bits is also available. The findings of this part of the research show that, by following the style of Khorasani's poetry in the poems and imitating the style of the Iraqi poetry in Ghazaliyat, the successful poets, especially in the influence of Elementary, Farrokhi, Hafez and Saadi, are considered.

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