Islamic Art Studies

Islamic Art Studies

"The Role of Women in Contemporary Poetry in Comparison with Women Architects and Artists of the Timurid and Safavid Periods"

Document Type : Original Article

Authors
1 PhD Candidate, Department of Persian Language and Literature, Yasouj Branch, Islamic Azad University, Yasouj, Iran.
2 PhD, Assistant Professor, Department of Persian Language and Literature, Yasouj Branch, Islamic Azad University, Yasouj, Iran.
10.22034/ias.2022.319996.1821
Abstract
Women have a hated face in Persian poetry and literature - especially classical literature And in the poems, he has usually been unloved by the speakers and has always been in an aura of ambiguity and secrecy. But in contemporary poetry, due to the change in the vision and thought of poets and the promotion of social consciousness, women enjoyed a high position. And was placed in the frame of praise of poets. The purpose of writing this article is the evolution of women's role-playing in contemporary poetry. The working method is library and descriptive-analytical. The results of the research show that in classical poetry, poets have spoken less than praising women and have condemned her more. But in contemporary poetry and literature, since patriarchal and populist ideas have been greatly reduced and women have been praised and praised. During this period, the lyrical mentality of poets changed and they not only opened their mouths to praise women And at three levels of lexicography, perspective, and literature, women experienced new descriptions that have no precedent in our classical literature.
Keywords

Ajhand, Y. (2015). Painting of Iran (research on the history of painting and painting in Iran). (first Vol.), Tehran: Samt. [In Persian]
Aghajani Esfahani, H.; Javani, A (2007). Safavieh era wall painting in Isfahan Chehelston Palace. Tehran: Art Academy. [In Persian]
Ansari Yekta, M. (2019). The position of women as creators of artwork in the age of Shah Tahmasb Safavid. The 5th International Conference on Language, Literature, Culture and History Studies. [In Persian]
Aghighi Bakhshayesh, A. (1996). Calligraphic art and calligraphic women in Islamic civilization. Tehran: Azarbaijan Publications. [In Persian]
Akhvan Ehtashami, Kh. (2014). Moonlight in the night realm. Tehran: Sureh Mehr. [In Persian]
E’tesami, P. (2013). Diwan. Tehran: Mehravid. [In Persian]
Berahani, R. (1984). Tarikh Mozakar. Tehran: Aval. [In Persian]
Bahar, M. T. (2008). Diwan Malik Al Sharai Bahar. Tehran: Nrgah. [In Persian]
Behbahani, S. (2012). A collection of poems. Tehran: Negah. [In Persian]
Bahmani, M. A. (2006). Sometimes I miss myself. Tehran: Darinoosh. [In Persian]
Farrokhzad, P. (1999). Encyclopedia of women of Iranian and world culture (women from inscriptions to history). Tehran: Zaryab. [In Persian]
Jami, N. A. (2008). Haft Orang. Proofreading and research of Khan Afsahzadeh and Hossein Ahmad Tarbiat, Tehran: Center for Iranian Studies. [In Persian]
Mossadegh, H. (2007). Collected Poems. Tehran: Negah. [In Persian]
Monzavi, H. (2008). From cashmere to poetry. (Fifth ed.), Tehran: Rozbahan. [In Persian]
Monzavi, H. (2008). Wounded larynx of the song. (Second ed.), Tehran: Afarinesh. [In Persian]
Monzavi, H. (1992). With love around disaster. Tehran: Pajhang Publications. [In Persian]
Modaresi, F.; & Kazemzadeh, R. (2011). Freedom, the dominant element of isolated symbolic sonnets. Kerman University Sustainability Literature, 2(4), pp. 545-564. [In Persian]
Ravandi, M. (2007). Social history of Iran. Tehran: Negah. [In Persian]
Rasulipour, R.; & Roshan, M.; & Nikandam, Sh. (2015). Evaluation of the position of a woman (wife) in contemporary Persian and Arabic poetry (with a critical approach to the dualist existentialist feminist perspective). Comparative Literature (Arabic-Persian Comparative Studies), (22), pp. 23-47. [In Persian]
Rouzbeh, M. R. (2004). Description, analysis and interpretation of New Persian poetry. Tehran: Horoufiyeh. [In Persian]
Sales, M. (1990). winter. Tehran: Morvarid. [In Persian]
Shamlou, A. (2005). Collected Poems. Tehran: Negah. [In Persian]
Shafii Kadkani, M. R. (2008). Periods of Persian poetry (from constitutionalism to the fall of the monarchy). Tehran: Sokhan Publications. [In Persian]
Shirazi, S. (2015). 99 points. Tehran: Book Company. [In Persian]
Sahba, E. (1962). Sahba's office. (Second ed.), Tehran: Ebn Sina Library. [In Persian]
Tavaloli (2001). Brighter than off. By the efforts of Morteza Kakhi. Tehran: Agah. [In Persian]
Yasmi, B. (2016). Love is a beautiful crime. Tehran: Cheshme. [In Persian]
Yazdani, Z. (1999). Woman in Persian poetry, yesterday - today. Tehran: Ferdous. [In Persian]
Yoshij, N (2001). Divan Poems. By Siros Tahbaz, Tehran: Negah. [In Persian]