Atlas of the Guitatology of the Provinces of Iran (1393). Tehran: Geographical and Cartographic Institute of Guitatology.
Ebrahimzadeh, Shahin (2007). Patterns for the needle collection of roles for use in decorative sewing, Mashhad: Ahang Ghalam.
Fakouhi, Nasser (2009). The History of Thought and Theories of Anthropology, Tehran: NI.
Ghasemi, Marzieh; Mahmoudi, Sakineh Khatoon; Mousavi, Seyed Rassoul (1392). "The formal structure of natural designs in Baloch women's clothing (Saravan city)", Journal of Nursing, p. 28. p. 61-73.
Jeddi, Mohammad Javad (1999). Seal and Scarecrow in Iran. Tehran: Art Academy.
KHamoshi, Zahra (2008). "The Development of the Application of Decorating in Baluch and Turkmen Bassoon Designs in a Traditional and Modern Method", Two Quarterly in Islamic Art Studies, Vol. 9, pp. 73-98.
Khazaei, Mohammad; Samavaky, Shi'al (1381). "Investigating the role of the bird on Iran's pottery", Journal of Visual Arts, vol. 18, p. 11-6.
Khaza'i, Mohammad (1386). "Principles and foundations of the aesthetics of Iranian art," Art Moon , vol. 109 and 110, p. 4-5.
Murphy, Howard (1385). "Anthropology of Art", translated by Hayedeh Abdolhosseinzadeh, Quarterly Journal, 17, pp. 69-2.
Rahimi, Hossein; Ghavidel, Gholamreza (2009). Geography and Perspectives of Tehran, Mashhad: Euclid.
Roya, Honarmand (2010). Traditional traditional needles in southern Khorasan, Tehran: Altar of thought.
Saadatmand, Iraj (2008). Scourge: A Look at the History and Geography of the City of Kashmar, Mashhad: Sunrise.
Saba, Montakhab (1379). An Attitude to the Traditional Iranian Needle Making Process, Second Edition, Tehran: Bahman