Recognition of the Objective and Subjective Dimensions of the Aesthetics of Islamic Architecture in the Contemporary Era

Document Type : Original Article

Authors

1 Department of Architecture, Faculty of Engineering, Kermanshah Branch, Islamic Azad University, Kermanshah, Iran.

2 Department of Archeology, Ilam Branch, Islamic Azad University, Ilam, Iran.

Abstract

Throughout history, aesthetics has been considered as an ancient attraction and has been discussed in various fields. Beauty is not just a matter of the mind, it must be understood as an objective truth. The strcutures of the Islamic era, as important urban phenomena, are of special importance in terms of aesthetic features. Thus, in recent decades, foreign and domestic researchers have examined various aspects of such a perspective. Thus this research, exclusively, emphasizes the aesthetic dimension of the environment and the form of architecture.
This research study is carried out via an analytical-applied means with a "survey method" in field studies; moreover, data is collected by objective observation of Islamic buildings and a subjective "questionnaire”. The prioritization of objective and subjective aesthetic data of the body and place of architecture, particularly contemporary Islamic architecture is the focus of this research. The research findings show that the objective and mental criteria of people and architects are slightly different, but the objective perception of beauty of the environment and the body of architecture in both groups is significant. Likewise, the study of data displays that the beauty of the structure, body and architectural space has an imperative effect on the objective and mental understanding of the aesthetics of architecture.
Research objectives:
1. Examining the objective and subjective dimensions of the aesthetics of Islamic architecture
2. Research and prioritization of aesthetic indicators in objective and subjective dimensions in contemporary Islamic architecture
Research questions:
1. How have the objective and subjective dimensions of aesthetics been reflected in the works of contemporary Islamic architecture?
2. What effect does the beauty of the structure and space of architecture have on the objective and subjective understanding of the aesthetics of architecture?

Keywords


Alavi Nejad, S. & Nadalian, A., & Kafshchian Moghaddam, A. (2010). "Comparative study on the use of two terms" architectural decorations "and" murals "in Islamic art sources". Knot Quarterly, 15, 5-6.
Alexander, Ch. (2002). Architecture and the mystery of immortality; Timeless way to build. Translated by Mehrdad Qayyumi Bidehandi. Tehran: Shahid Beheshti University Press.
Ansari, M., & Nasrabadi, Bakhtiar, H. (2014). "Analysis of the theory of aesthetic experience of John Davy". Research in Curriculum Planning, 14, 54-62.
Aminzadeh, B. (2010). Evaluating the beauty and identity of a place. Quarterly Journal of City Identity, 7, 3-14.
Arnheim, R. (2003). The Dynamics of Architectural Forms. Tajmeh: Mehrdad Qayyumi Bidhendi, Tehran: Samat Publishing.
Ardalan, N. (1986). "Building Concepts in Traditional Architecture". Iranian Journal of Architecture and Art.
Ardalan, N., & Bakhtiar, L. (2012). Sense of Unity; The Role of Tradition in Iranian Architecture. Institute of Architectural Sciences Publications, Tehran.
Ayvazian, S. (2002). Aesthetics and its origin in architectural criticism. Journal of Fine Arts. No. 12.
Bani Massoud, A. (2012). Contemporary Iranian Architecture. Tehran: Architectural Art of the Century.
Bahraini, SH. (1998). Urban Design Process. Tehran: University of Tehran.
Bakhtiar Nasrabadi, A., & Pourjafar, M. (2015). "Analysis of the aesthetic role of geometry in the formation of the urban space of Chahar Bagh Abbasi, Quarterly Journal of Urban Studies, 17, 41-53.
Bemanian, M. (2010). "Application of Geometry and Proportions in Architecture". Tahan: Heleh Publications.
Bemanian, M. (2007). "The role of God-centered in the architecture of Muslims". International Journal of Engineering Sciences, Iran University of Science and Technology, 18, 44-37.
Bacon, E. (1997). Urban Design: The Transformation of the City from Ancient Athens to Modern Brasilia. translated by Farzaneh Taheri, Tehran: Center for Urban Studies and Research in Iran.
Canter, D. (1971). The Psychology of Place. London: The Architectural Press.
Ching, F. (2003). Architecture of Form. Space and Order, translated by Maryam Razavi, Tehran: published by Parham Naghsh.
Damiar, S. (2013). "The relationship between human perceptual aspects and identity factors in architecture". Journal of Housing and Rural Environment, 146, 91-104.
Dehkhoda, A. (1341). Dehkhoda Dictionary, Editor: Dr. Mohammad Moin. Dehkhoda Dictionary Institute, Tehran: University of Tehran.
Gat, B., & Lopez, D. (2007). Encyclopedia of Aesthetics, translated by Farhad Sasani. Manouchehr Sanei Darreh Beidi, Amir Ali Madadpour, Tehran: Institute for compiling, translating and publishing works of art.
Ghaemifar, Sh. (2016). Aesthetic model in architecture based on the tools of Islamic thinkers. Journal of Art and Architecture Studies, 6, 37-47.
Gibberd, F. (1955). Town design. architectural Press.
Grotter, Y. (2012). Aesthetics in Architecture, translated by Jahan Shah Pakzad and Abdolreza Homayoun. fourth edition, Tehran: Shahid Beheshti University Press.
Habibi, S. (2003). From the City to the City. Tehran: Tehran University Press.
Halprin, L. (1966). Freeways. New York, Reinhold.
Hatem, Gh.m & and Estiri, N. (2009). "Study of brickwork decorations in the minaret of Khosrow Jard in Sabzevar". bi-monthly specialized journal of Naghsh-e Mayeh visual arts, 3, 52-45.
Henfling, O. (2002). What is Art, translated by Ali Ramin. Tehran: Hermes Publications.
Islami, S., & Shahinorad, M. (2012). "Recognition of the principle of horizontalism in Islamic architecture". Quarterly Journal of Art Chemistry, 20, 64-41.
Ibn Sina, Sh. (1997). Treatises of Ibn Sina. Treatise of Love, Qom: Bita Publications.
Jackson, J. (1994). A sense of place, a sense of time. New Haven: Yale University Press.
Kaplan. R. (1991). The experience of nature: A psychological perspective. Cambridge University Cambridge, UK.
Karimi, M. (2010). "The beauty of the tower from the citizens' point of view; A Study of the Aesthetic Approach of Tehran Citizens to Tall Buildings ". Manzar Magazine, 11, 61-56.
Kaplan. S. (1987). Aesthetics. affect and cognition: environmental preferences from an evolutionary perspective, Environment and Behavior 19.
kovich, T. (2002). Form in the History of Aesthetics, translated by Keyvan Dostkhah, 52, 61-46.
Lang, J. (2002). The Creation of Architectural Theory (The Role of Behavioral Sciences in Environmental Design). translated by Alireza Einifar, Tehran: University of Tehran Press.
Madadpour, M. (2005). Introduction to the views of thinkers about art. Tehran: Surah Mehr.
Moein, M. (1965). Farhang-e Farsi. Tehran: Amirkabir Publications.
Mousavi Haji, S. (2012). "Archaeological Approach to Recognizing the Practical and Spiritual Concepts of Architectural Elements of the Islamic Period of Iran Based on the Divan of Ashlar Hafez Shirazi". Archaeological Journal, 3, 45-61.
Molavi, M. (2006). "PhD thesis in urban planning entitled: Aesthetic analysis of the body of urban space". Tehran: University of Tehran.
Mousavi Rokni, S., & Mohammad H. (2015). "Critique of Aesthetic Objectivity from the Perspective of Frank Sibley". Quarterly Journal of Art Chemistry,14, 63-54.
Moazami, M. (2011). "Master's perception of space and its impact on architecture education". 48, 57-68.
Mirmiran, S. H. (1999). "A New Current in Iranian Architecture Today, Quarterly Journal of Architecture and Urban Planning".40-48.
Mahdavinejad, M. (2004). "The Wisdom of Islamic Architecture, Searching in the Deep Spiritual Structures of Islamic Architecture in Iran". Journal of Fine Arts, University of Tehran, 19, 60.
Nadimi, H. (1998). Actual Role. Academy of Sciences, 14-15.
Nasr, S. (1997). Islamic Art and Spirituality. translated by Rahim Ghasemian. Tehran: Office of Religious Studies of Art.
Pakzad, J. (1997). "Identity and this identity with space". Sefeh Magazine, 20-21, 100 - 106.
Pakzad, J. and Saki, E. (2015). "Aesthetic experience of the environment". Journal of Fine Arts, Architecture and Urban Planning, 19, 14-5.
Pinchard, B. (2005). "Symbol and space according to Rene Guenon", in edited book entitled: "Mathematics and the Divine - A Historical Study". editors: Luc Bergmans and Teun Koetsier; Elsevier, Oxford, UK.
Rahnavard, Z. (2009). Islamic Wisdom and Art. Fifth Edition, Tehran: University of Tehran Press.
Rapoport, A. (1990). The meaning of the built environment: a nonverbal communication approach, Tucson: The University of Arizona Press.
Relph, E. (1976). "Place and Placelessness". London: Pion Press.
Rikhtegaran, M. (2005). Art from the Perspective of Martin Heidegger. Tehran: Academy of Arts.
Salehi, A. (2007). "Ghadr Makan", Master Thesis in Architectural Engineering. Supervisor: Dr. Hadi Nadimi. Yazd: Yazd University, Faculty of Art and Architecture.
Saremi, A. (1999). "On the Architecture of Today in Iran, Quarterly Journal of Architecture and Urban Planning". 50, 171-173.
Scroton, R. (2014). Beauty. translated by Farideh Farnoodfar and Amir Nasri, Tehran: Minavi Kherad Publications.
Sitte, C. (1945). The Art of Building Cities. Translated by Charles T. Stewart, New York: Van Nostrand Reinhold.
Smith, P. (2003). The Dynamic of Delight. Architecture and Aesthetics, London: Routledge.
Yousefian, J. (2000). "A Look at the Concept of Aesthetics". Journal of the Faculty of Literature and Humanities, Tabriz, Volume 43,  177, 135-172.