Islamic Art Studies

Islamic Art Studies

A Study of the Influence of Manichaean Art on Timurid-Era Painting Based on Max Weber's Theory of Cultural Receptivity

Document Type : Original Article

Authors
Sepideh Zamanirad 1
Abdolaziz Movahed 2
Ghaffar Pourbakhtiar 2
1 PhD student , Department of history, Shoushtar Branch, Islamic Azad University, Shoushtar, Iran.
2 Assistant Professor, Department of history, Shoushtar Branch, Islamic Azad University, Shoushtar, Iran.
10.22034/ias.2023.408024.2257
Abstract
Timurid-era painting is one of the significant and influential stages in the history of art in Iran. Following this, the role of Manichaean art and the influence of Manichaeism on the advancement of art during the Timurid period, as well as the role of Iranian art during this era and the agency of Turkic and Mongol elements, are crucial topics in Iranian history. The Ilkhanid-Mongol rule did not impose restrictions on artists and scholars, allowing them to utilize Manichaean art. The intelligence of Manichaeism in the conscious use of visual and figurative arts had a profound impact on the surrounding world. The most notable of these arts were painting and miniature painting. This study was conducted using a descriptive and analytical method, relying on library resources. The findings of the research, according to the theory of cultural influence, indicate that cultural factors were essential in the impact of Manichaean art on Timurid-era painting, leading to the growth and advancement of art in the form of miniature painting.
Objectives of the Study:

Investigating how Manichaeans used design and painting as a tool in an intelligent manner.
Examining how Manichaean art culturally influenced Timurid-era painting.

Research Questions:

How did Manichaeans use art as an intelligent tool?
Based on the theory of cultural influence, how did Manichaean art influence painting in the Timurid era?
Keywords
Cultural influence
Manichaeism
miniature painting
Timurid era
Iranian history

Subjects

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