Islamic Art Studies

Islamic Art Studies

Death-Awareness and Liberation from Subjectivity in Heidegger’s Thought: A Path Toward a New Understanding of Islamic Art

Document Type : Original Article

Authors
Vahid Monajati 1
Bijan Abdolkarimi 2
Ali Moradkhani 2
1 Phd student of Philosophy, Department of Philosophy, Faculty of Humanities, North Tehran Branch, Islamic Azad University, Tehran, Iran
2 Associate Professor, Department of Philosophy, Faculty of Humanities, North Tehran Branch, Islamic Azad University, Tehran, Iran
10.22034/ias.2024.452022.2356
Abstract
The focus of Heidegger’s analyses on death-awareness and the possibility of breaking free from subjectivity—along with the connection between these concepts in his thought—opens new avenues for understanding Islamic art. Through this lens, art, and particularly Islamic art, can be viewed and analyzed from a fresh perspective. Heidegger argues that death-awareness is a fundamental element of human existence that helps individuals transcend the limitations of subjectivity—a viewpoint that regards humans as independent, isolated subjects interpreting reality through human experiences and concepts. By becoming aware of their mortality, humans recognize the temporary and finite nature of their existence, which ultimately leads to nothingness. This awareness fosters humility before existence, liberating them from self-centeredness and domination, a principle also emphasized in Islamic teachings.
This study, conducted through an analytical-descriptive method, argues that there are significant connections between Heidegger’s ideas and Islamic art, particularly in the realms of ontology, aesthetics, and phenomenology. Thus, death-awareness can lead to a new understanding of Islamic art. Islamic art is spiritual and metaphysical, emphasizing the relationship between humans, existence, and other beings. Death-awareness can help Muslim artists move beyond worldly appearances and focus on the truth of existence. Furthermore, it can deepen the audience’s engagement with Islamic art, enabling them to grasp its spiritual messages and attain truth.
Research Objectives:

Examining death-awareness and liberation from subjectivity in Heidegger’s thought.
Analyzing and comparing Heidegger’s theories with the principles of Islamic art in ontology, aesthetics, and phenomenology.

Research Questions:

How does Heidegger conceptualize death-awareness and liberation from subjectivity?
What similarities and differences exist between Heidegger’s theories and the principles of Islamic art, particularly in ontology, aesthetics, and phenomenology?
Keywords
Death-awareness
subjectivity
Heidegger’s perspective
Islamic art
ontology

Subjects

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Islamic Art Studies
Volume 22, Issue 58
Spring 2025
Pages 135-153