عنوان مقاله [English]
The Thousand and one night book has lyric and epic and folk concepts. Their connection to mythical cosmology and lyric literature have emphasized on station in the Qajar era. The art of Qajar dynasty by used of old tradition and look to the western naturalism and literature property of rules in this covenant enters the new features in scenery such as: portrait, landscape, and perspective. The figurative art in painting with these particulars converted to new style. The approach was based on the Qajar aesthetic after the appearance of printing industry, illustration technique of lithography continued in the line with courtier figurative art. The Thousand and one night manuscript by Mirza Aligholi Khoie with revelation between traditional practices and new strategies in courtier figurative Qajar launched a new way. This paper is tried to review the social conditions of Qajar and structure of figurative art and similarity with the thousand and one nights illustration in descriptive and analytical method. The aims of paper is reaserch about figurative art of Qajar and comparison that to Thousand and one nights lithography illustration . Question raised in this paper:
Questions raised in this paper:
1- Did social and political conditions have preparing the lithography manuscript by thousand and one nights concepts?
2- has Mirza Aligholi Khoie inspire in illustration of scenes on base of courtier figurative art?
3- How much inspiration of figuratve art does he have?