Islamic Art Studies

Islamic Art Studies

Journal Statistics 
Number of Volumes 21
Number of Issues 60
Number of Articles 852
Number of Contributors 2,039
Article View 750,040
PDF Download 568,659
View Per Article 880.33
PDF Download Per Article 667.44
Number of Submissions 1,446
Rejected Submissions 657
Reject Rate 45
Accepted Submissions 713
Acceptance Rate 49
Time to Accept (Days) 65
Number of Indexing Databases 18
Number of Reviewers 250

 

The number of research articles published in the Islamic Art Studies journal in the last calendar year is 29 articles.

About Journal

The Institute of Islamic Art Studies established in 2004 concentrates on Islamic art and the progression of this art in various branches and aspects. It has received its justification from Iran’s Ministry of Islamic Culture and Guidance with the registered number of 11367 and seeks on June 25, 2004 to achieve its objectives under the regulations of the Islamic revolution and its rich values. Apart from many research projects, the institute has published many books in Islamic art studies in the fields of textiles, calligraphy, architecture, pottery, painting, rugs and other related topics. The Institute of Islamic Art Studies has also held many national and international conferences in the fields of Islamic art and architecture. The Journal of Islamic Art Studies, another successful achievement of the Institute, publishes genuine academic articles in the fields of art, architecture, culture, visual and applied arts related to the arts and culture of Islamic periods. It endeavors to publish articles by professors and postgraduate students of arts in specific Islamic art fields. Hence, it is efficaciously accomplished a high academic status among educational and scientific assemblies.

Current Issue: Volume 22, Issue 60, Autumn 2025 

Keywords Cloud

  • art
  • Painting
  • Architecture
  • Rumi
  • Islamic art
  • poetry
  • Aesthetics
  • Islamic architecture
  • Shahnameh
  • Safavid Era
  • myth
  • Typology
  • identity
  • Quran
  • Qajar Period
  • culture
  • Ferdowsi
  • Color
  • Masnavi
  • Qajar
  • love
  • Semiotics
  • Handicrafts
  • mythology
  • Symbol
  • religion
  • Illustration
  • Design
  • creativity
  • Phenomenology
  • Literature
  • contemporary poetry
  • Sustainable Architecture
  • Imam Khomeini
  • Sustainability
  • Geometry
  • Symbolism
  • Women
  • Tehran
  • Realism
  • Decorations
  • Formalism
  • Iranian painting
  • Traditional Architecture
  • mysticism
  • Safavid period
  • Residential Complex
  • Lifestyle
  • Architectural education
  • Music
  • Politics
  • Rhetoric
  • Education
  • Imagination
  • Sufism
  • semantics
  • intertextuality
  • epic
  • structure
  • Perception
  • beauty
  • Social Interactions
  • stylistics
  • morphology
  • Hafez
  • Social Capital
  • Space
  • Nezami
  • Architectural Design
  • Family
  • Ferdowsi Shahnameh
  • traditional houses
  • Cinema
  • Safavid
  • Quranic verses
  • Iranian-Islamic City
  • form
  • Rural handicrafts
  • Holy Quran
  • Sheikh Lotfollah Mosque
  • Calligraphy
  • image
  • modernism
  • Simile
  • Space Syntax
  • Ilkhanid era
  • Tabriz
  • archetype
  • Iran
  • sonnets
  • Islamic mysticism
  • Inscription
  • postmodernism
  • visual arts
  • modernity
  • Ferdowsi\'s Shahnameh
  • Metaphor
  • Khorasan
  • Fiction
  • personality
  • Contemporary Architecture
  • Islam
  • Sohrab Sepehri
  • language
  • unity of existence
  • Motifs
  • revitalization
  • Sanai
  • Kitchen
  • Ghazal
  • Islamic Republic of Iran
  • Spatial organization
  • Safavid painting
  • Textiles
  • folklore
  • Characterization
  • Entrepreneur
  • Persepolis
  • Life
  • Maslow
  • Vernacular architecture
  • Place
  • Mulla Sadra
  • beloved
  • One Thousand and One Nights
  • illustrated version of Hafez
  • mosque
  • Empowerment of rural women
  • Local development
  • Local beliefs
  • Security
  • Masnavi Manavi
  • Timurids
  • architectural decoration
  • Gender
  • Herat
  • Meaning
  • Qazvin school
  • paintings
  • Physical components
  • Sassanids
  • story
  • inscriptions
  • Attar
  • Architectural decorations
  • Place Attachment
  • Rhythm
  • Thermal Comfort
  • light
  • Rural development
  • existentialism
  • Forough Farrokhzad
  • Novel
  • Arak
  • Imam Khomeini (RA)
  • Contemporary painting
  • Energy
  • Modern Architecture
  • Qajar Art
  • Qajar Architecture
  • Narratology
  • manuscripts
  • Umberto Eco
  • Grounded theory
  • Housing
  • urban space
  • Iranian architecture
  • artwork
  • Epistemology
  • optimization
  • reality
  • subjectivism
  • mosques
  • Heidegger
  • Iconography
  • Prayer
  • content analysis
  • Traditional art
  • sustainable development
  • Central Courtyard
  • animal motifs
  • Visual Elements
  • science and technology park
  • Customs
  • Structuralism
  • Residential Building
  • theme
  • Livelihood
  • psychology
  • time
  • Odyssey
  • Balance
  • Ibn Arabi
  • Sassanid Period
  • ethics
  • postmodern
  • Qajar Era
  • comparative study
  • Contemporary period
  • local architecture